Electricritical: what about anti-gun technology?

I was watching this sad video where an idiot kid attacks a giant old viking, and gets the shit kicked out of him. Apparently it’s gone viral
I assume it’s popular because the modern American idiot wonders what fist fights look like.

The tragedy here, methinks (aside from this being a hugely popular video), is that the kid likely will not be going home and learning how to fight. What dweeb cares about such non-lethal human interaction, when you can just send away for the Charles Atlas hand gun? Disgusting. (though it makes me want to mock up an fake advert)

This morning I lay awake staring at the walls, unable to stop thinking about : advancing the equation to a new level. Continue reading “Electricritical: what about anti-gun technology?”

Copyright Licensing Panic: Please don’t play ball with the dinosaurs!

I read this io9 article about Google’s progress securing third party copyright licenses, and all the pussy authors who are freaking out. I also read this guy’s comments and then his blog on the subject (he presents a view I don’t agree with. but find challenging).

This is my rant/reply:

copyright law protects publishers so they can maximize profit. It isn’t designed to protect authors.

I’m drinking the google-aid here, but it makes a lot of sense. Continue reading “Copyright Licensing Panic: Please don’t play ball with the dinosaurs!”

Space Cops: Progress and Random Ideas

btw, a lot of movement on the old Space Cops project recently. Stayed up late last night, recording a first crack at all the audio for episode 1.
Jonason and I sat down and reworked the first episode’s script this last weekend. I started the second script (pimp planet) a month back and sent it to him – sure enough he’s worked out an awesome scene by scene breakdown (and we’ll likely go over it this weekend to read out loud and nail down the dialogue). very exciting. Continue reading “Space Cops: Progress and Random Ideas”

Corporations (Juristic Persons) vs. Real People (under American law)

person in robot suit, Kanagawa Institute of TechnologyI’ve been discussing the Supreme Court’s recent ruling, in the “Citizens United v. Federal Election Commission” case with some friends. I’m eager to understand how this could possible be a good thing. The only “pro” argument I’ve heard is that spending money is free speech and corporations are citizens of the United States with free speech protections. (but I have problems with both halves of that sentence).

Last night, a friend noted Adam Liptak’s article in defense of the decision: http://www.nytimes.com/2010/02/04/us/politics/04scotus.html?hp
I’m eager to better understand this situation. So please do comment if you have any sort of opinion or insight.
Here is my reply (reformatted for blog): Continue reading “Corporations (Juristic Persons) vs. Real People (under American law)”

The Wages of Fear (Le salaire de la peur, 1953 (out of 1955))

Finally watched this picture last night.
Over the years I’ve rented it from two different libraries, and netflix – only to find the disc so scratched, each time, that it wouldn’t play past the 50 minute mark. This, and the fact that I find it hard to take pre-color movies seriously, has kind of built the movie up in my mind into a great white whale. I didn’t like the first fifty minutes enough to buy it. So it’s just plagued me for years.
But, At last, the delightful Corvallis Librarians purchased a brand new edition.

Sooo, I’ve been anticipating this movie for so long, and re-watched the first 20 to 45 minutes so many times (before disc hangs) that it’s hard to review. I’ve since watched William Friedkin’s spicy remake (Sorcerer, 1977). I’ve since learned to better appreciate/adore the merits of classic cinema. So now my thoughts on this flic are more muddled than the oil pit in the penultimate climax.

Maybe it’s one of the greatest movies ever made? Or maybe it’s bloated-overlong trash with some astonishing ideas that history has already forgotten? eh. hmm. Continue reading “The Wages of Fear (Le salaire de la peur, 1953 (out of 1955))”